Relax and Unwind with this fun coloring book loaded with beautiful victorian pictures. Fun for all ages!.... TO SEE INSIDE THIS BOOK > go to authors page> S.A Knight
This is the first major full-length study of Victorian Gothic fiction. Combining original readings of familiar texts with a rich store of historical sources, A Geography of Victorian Gothic Fiction is an historicist survey of nineteenth-century Gothic writing--from Dickens to Stoker, Wilkie Collins to Conan Doyle, through European travelogues, sexological textbooks, ecclesiastic histories and pamphlets on the perils of self-abuse. Critics have thus far tended to concentrate on specific angles of Gothic writing (gender or race), or the belief that the Gothic 'returned' at the so-called fin de siâ€¹Â¨Â«cle. Robert Mighall, by contrast, demonstrates how the Gothic mode was active throughout the Victorian period, and provides historical explanations for its development from late eighteenth century, through the 'Urban Gothic' fictions of the mid-Victorian period, the 'Suburban Gothic' of the Sensation vogue, through to the somatic horrors of Stevenson, Machen, Stoker, and Doyle at the century's close. Mighall challenges the psychological approach to Gothic fiction which currently prevails, demonstrating the importance of geographical, historical, and discursive factors that have been largely neglected by critics, and employing a variety of original sources to demonstrate the contexts of Gothic fiction and explain its development in the Victorian period.
In her in-depth study of Harriet Martineau's writings on the evolution of the British Empire in the nineteenth century, Deborah A. Logan elaborates the ways in which Martineau's works reflect Victorian concerns about radically shifting social ideologies. To understand Martineau's interventions into the Empire Question, Logan argues, is to recognize her authority as an insightful political commentator, historian, economist, and sociologist whose eclectic studies and intellectual curiosity positioned her as a shrewd observer and recorder of the imperial enterprise. Logan's primary sources are Martineau's nonfiction works, particularly those published in periodicals, complemented by telling references from Martineau's didactic fiction, correspondence, and autobiography. Key texts include History of The Peace; Letters from Ireland and Endowed Schools of Ireland; Illustrations of Political Economy; Eastern Life, Present and Past; and History of British Rule in India and Suggestions for the Future Rule of India. Logan shows Martineau negotiating the inevitable conflict that arises when the practices of Victorian imperialism are measured against its own stated principles, and especially against Martineau's idea of both the Civilizing Mission and the indigenous cultural integrity often compromised in the process. The picture of Martineau that emerges is complex and fascinating. Both an advocate and a critic of British imperialism, Martineau was a persistent champion of the Civilizing Mission. Written with an awareness that she was recording contemporary history for future generations, Martineau's commentary on this perpetually fascinating, often tragic, and always instructive chapter in British and world history offers important insights that enhance and complicate our understanding of imperialism and globalization.